About the song
“25 or 6 to 4” stands as an iconic rock song from the late 1960s, penned by Robert Lamm and performed by the renowned band Chicago. Released on their eponymous second album in 1970, the track swiftly ascended the charts, solidifying Chicago’s place in rock history. Rooted in Lamm’s nocturnal musings, the song’s enigmatic title reflects the early hours of the morning, precisely between 3:34 and 3:35, a time of creative introspection.
Lamm’s composition process was uniquely inspired; he crafted the song on a twelve-string guitar missing its two low E strings, a quirk that shaped its distinctive sound. The opening riff, often likened to a descending five-chord pattern, became instantly recognizable—a testament to its enduring influence in rock music. The original recording featured Terry Kath’s electric guitar solo, distinguished by its expressive use of a wah-wah pedal, and Peter Cetera’s vocal prowess, delivered amidst the challenge of recovering from a serious injury.
Upon its release, “25 or 6 to 4” soared to number 4 on the US Billboard Hot 100, marking a breakthrough for Chicago and becoming a staple in their repertoire. Over the decades, it has been celebrated as one of the band’s signature tunes, consistently featured in their live performances and garnering accolades from critics and fans alike. Its enduring popularity is evidenced by its inclusion in numerous compilations and rankings as one of the greatest songs by Chicago.
Despite its success, “25 or 6 to 4” also faced controversy. In 1970, the song was banned in Singapore due to perceived drug references—a testament to its provocative lyrics and the cultural landscape of its time. However, such bans were eventually lifted, affirming the song’s cultural impact and its place in the pantheon of classic rock.
Throughout Chicago’s evolution, “25 or 6 to 4” underwent reinterpretations, including a notable 1986 version featuring new lead vocalist Jason Scheff. Its evolution mirrored the band’s journey through the decades, maintaining its relevance and appeal among old and new audiences alike.
In sum, “25 or 6 to 4” remains an indelible piece of Chicago’s legacy, embodying the spirit of experimentation and creativity that defined their early years. Its enduring popularity and critical acclaim underscore its status as a timeless classic in the annals of rock music.
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Lyrics
Searching for the break of day
Searching for something to say
Dancing lights against the sky
Giving up, I close my eyes
Sitting cross-legged on the floor
25 or six to four
Staring blindly into space
Getting up to splash my face
Wanting just to stay awake
Wondering how much I can take
Should have tried to do some more
25 or six to four
Feeling like I ought to sleep
Spinning room is sinking deep
Searching for something to say
Waiting for the break of day
25 or six to four
25 or six to four